CADAVERS: WORLD GONE TO HELL One Story. Twelve Artists. One Weird and Wonderful World – Eating Itself Alive.

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CADAVERS: WORLD GONE TO HELL is a 130 page collection of stories by some of the most popular and talented indie writers and artists working today.

Each story is a complete tale in its own right – a unique vision from the creators, but read as a whole – all form part of a connected epic story.

Showcasing a vast range of styles – our connected anthology contains tales of love, sacrifice, murder, hatred and betrayal. Also tales of dating, suicide, weird sex and shopping. From the shocking to the sublime – we have all bases covered.

Each story is set in a consecutive month of the year. The year in which the world falls apart and society burns: –

THE STORIES: – 

JANUARY kicks off with our introduction to Anima – a young girl with a secret that will shake the world to its core. Anima’s trial by fire is brought to you by CADAVERS creators Matt Hardy (Murder Most Mundane, Last Exit to Brighton) and Edward Bentley (Dark Boy and Adler): – ,

 

FEBRUARY is a change of pace. A gumshoe, noir tale of a “Blob Detective” – hot on the trail of a missing limb. Charlie Etheridge-Nunn (Who Dares Rolls) and Russell Mark Olson (Lady Hollywood, Gateway City) give us our first glimpse of a world populated by monsters and the strange – but where crime and love remain unchanged: – ,

MARCH examines the rise to power of a pivotal player in the anthology. Matt Hardy (Last Exit to Brighton) and Clark Bint (Murder Most Mundane) – give us a story called “Karma Inc” – showing how technology from the future can pollute the past and ruin the present: – ,

APRIL introduces us to Sully – a confused, kind-hearted lump, looking for love, whilst struggling to piece himself together. Jordan Thomas (Climax) and Arturo Mesa (Infinite Seven) give us “Love in Stitches” – a misfit love story of dating apps, transforming body parts and loss:-,

MAY gives us the story of an isolated child, an overprotective mother and a society starting to fear the monsters in their midst. In “Narrow” – Matt Hardy (Madhouse) and Luke Francis (Twisted Abnormality) give us monsters – but not quite the monsters you expect: – ,

JUNE is the tale of a young woman – betrayed and buried alive – as the political landscape shifts to target those it sees as threats. Ash Deadman (Murder Most Mundane) and Lyndon White (Hexes, The Mind of James Svengal) give us “Buried Deep” – the tragic story of the Cadaver called Revenant: – ,

JULY – with open hostility towards Spectrals now part of everyday life – the fearsome Bogeyman takes matters into his own hands by…. going shopping for cat food. The Dark-Boy and Adler team of Dan Earey and Edward Bentley give us “The Tuna Eclipse” – a lighthearted tale of supermarket aisles, cats and fish products: -,

AUGUST – as a thought-plague infection spreads throughout the world – we find ourselves in a hospital with a young woman being hunted by the haunted. In “Your Blood” – Cadavers creators Matt Hardy (Madhouse) and Edward Bentley (Last Exit to Brighton) deliver the bad news: – ,

SEPTEMBER – As the world falls apart, a Spectral who feels no pain finds himself the victim of a brutal assault. Kieren Stevens (Broadcast Comics) and Thodoris Laourdekis (Four Thieves, Sicarius & Red Echo) present “Macabre” – a harrowing tale of a man pushed too far:- ,

OCTOBER – Two scientists conduct experiments to examine the boundaries between worlds – as their assistant slowly falls in love with a figure across the divide. Charlie Etheridge-Nunn (Who Dares Roles, Cuckoo) and Rory Donald (Griff Gristle, Resurrection Men) give us “Fractured”. A tale of choices. All bad.,

NOVEMBER finds a group of children picking their way through their decaying city – as the world finally falls apart. Jordan Thomas (Love in Stitches) and Daniel Maine (The Musketeers, Robyn Hood) present “Come See” – a tale of lost childhood and death.,

DECEMBER – with society lost and Spectrals openly hunted – the Spectral known as Poltergeist flees – and fights – for his life. Matt Hardy (Murder Most Mundane) and Jonathan Scott (Comichaus, Future Quake) – finish out the year with “Forced Perspective” – a story of extreme personal tragedy and loss. ,


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